He'll do anything he has to get to live in the von Ornstein, including maim, kill and seduce. In that order, actually.
York is coldly detached as a master manipulator, while Lansbury is over the top, yearning for her lost glories.
It was directed by stage director Harold Prince, with a screenplay Hugh Wheeler, three time Tony Award winner, and score by John Kander, of Kander and Webb (Chicago, Cabaret), so there's more than just a little Broadway to it.
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